Released 26th November 2021.

Following the huge acclaim earlier this year for Matt Berry’s eighth studio album The Blue Elephant, on 26th November Acid Jazz Records will release Gather Up, a compilation album encompassing the singular musical adventures this extraordinary musician has taken over the past decade, offering a revelatory and fascinating insight into the working process of a genuine musical maverick and sonic explorer.

Over 10 years with Acid Jazz Records Berry has released nine incredibly diverse albums (including one live album). From the tangled-folk rock thickets of Witchazel and Kill The Wolf (which features the song from which this box gets its name), to the outthere explorations of Music For Insomniacs or TV Themes’ retro-kitsch delights, through the soul power in Matt Berry & The Maypoles Live or the twilight grooves of The Small Hours to the classic pedal-steel songwriting of Phantom Birds and the smorgasbord of psychedelic sounds on The Blue Elephant, Berry’s journey has produced a feast for the ears that twists and turns down more unexpected avenues than most artists could manage over several careers.

Gather Up pulls together an excellent 21-track career spanning collection expertly compiled by Berry, available as a separate, standalone release on 2LP or single CD, including non-album tracks such as ‘Snuff Box Theme’. No easy achievement considering the sheer breadth, diversity and volume of his exceptional musical output

Gather Up also is the culmination of ten years on Acid Jazz for Matt Berry. Gather Up comes as a beautifully packaged as a 4CD Hardback book-set with a 28 pages of illustrations and notes.

The 55 tracks are split between an anthology compilation that tracks the very best tracks from his 8 albums and associated singles for the label over the last decade, an album of unreleased tracks and rarities, a demo version of his 2020 album Phantom Birds and the previously unreleased Live At A Festival LP which showcases Matt & his band the Maypoles in full flight.

The book included in both formats has an extended essay by Chris Catchpole which review Matt’s musical career and an exclusive set of photo images culled from the archive of Matt’s long time photographic collaborator Ben Meadows