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But on this album O’Malley and Anderson found fresh possibilities in the primal territory of the duo format, performing all the instrumentation themselves. “What’s been happening with our performances over the last couple years with the two of us and no other collaborators has been really fresh and exciting,” says Anderson.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe compositions on SUNN O))) are expansive and panoramic yet finely detailed, reflecting the arboreal setting in which they were recorded. Amidst howling feedback and glacial crunch, one finds surprisingly delicate moments: a field recording of water trickles beneath, piano interludes lend a hushed, solemn feel. All while the duo attains fresh heights of telepathic intensity as they shape music that breathes the bracing, earthy air of the Pacific Northwest.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFraming the album visually are two paintings by the late American artist Mark Rothko. 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Fan favourites like 'So Modern' (Keep Up)' are captured with all the energy and scuzziness from the band's live show, and title track 'Business' goes hard, taking taking aim at the challenges found within today's music industry.\u003c\/span\u003e\u003c\/p\u003e","brand":"The Meffs","offers":[{"title":"CD","offer_id":45737768124602,"sku":"FRCD1579","price":11.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":45737768157370,"sku":"FRLP1579","price":24.0,"currency_code":"GBP","in_stock":true},{"title":"Indies instores exclusive CD","offer_id":45737768190138,"sku":"FRCD1579Y","price":11.99,"currency_code":"GBP","in_stock":true},{"title":"Indies instores exclusive yellow\/black splatter LP","offer_id":45737768222906,"sku":"FRLP1549YKS","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"KiTalbum","offer_id":45737768255674,"sku":"FRKIT1579","price":21.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0535\/1453\/5098\/files\/Meffs_Time_Change.jpg?v=1785584853"},{"product_id":"the-strokes-reality-awaits","title":"The Strokes - Reality Awaits","description":"\u003cp\u003eExpected Release \u003cstrong\u003e24th July\u003c\/strong\u003e 2026\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNew music from The Strokes arrives now, beginning with a new song,  “Going Shopping” released today. 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Written in green rooms, on long car journeys and in the gaps between relentless touring, it stands as their boldest and most expansive statement to date, an ode to childhood, British cultural detritus and the absurd poetry of everyday life, distilling everything that has made Getdown Services one of the most exhilarating and unpredictable bands around. In the band’s words it is “about self pity and realising that maybe all of the healing your inner child stuff you hear about isn’t actually total bollocks. Musically and lyrically I think it’s about us trying to clean up our act a bit.”\u003c\/p\u003e\n\u003cp\u003eNew single ‘I Can’t Die Like That’ provides the second taste of the album and is the kind of instant earworm built for festival crowds. Wildly infectious, it is quintessential Getdown Services, pairing huge hooks with the band’s perceptive and poignant lyricism. As the band explain, “‘I Can’t Die Like That’ is about the feeling of simple things becoming complicated. 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Stories of family and friends, tales from past and present. All drawn from Kevin Rowland’s life, each an individual jewel, threaded together with love. Songs begun three decades ago sit alongside those written in the last year. A vivid depiction of Rowland's Irish immigrant childhood [‘My Life in England Pt 1’]; a moving letter to his grandchildren [‘You’re Alright’]; a wistful moment at the start of a love affair [‘I Want To Be Holding You Next Christmas’]; a pin-perfect portrait of time spent with a dying parent [‘Once A Man, Twice A Child’]; the difficulties of relationships when you're older [‘Old Love’]. 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Formed in the youth clubs of London, Mercury Prize and BRIT Award-winners Femi Koleoso, TJ Koleoso, Joe Armon-Jones, James Mollison and Ife Ogunjobi have now spent over a decade making jazz joyful, urgent and undeniable. On Here Because Of Hope, they push that vision further than ever, asking a simple but profound question: why does so much Black music born out of pain sound so joyful? Their answer is hope: the belief, carried across generations and oceans, that something better is possible. Anchored by collaborations with Pa Salieu, Lila Iké, Leona Lewis, and reaching across the full breadth of the global African diaspora (including America, where those same African and Caribbean roots gave birth to jazz itself) Here Because Of Hope is a record of remarkable warmth, ambition and humanity, and the sound of Britain's most vital band at the peak of their powers.\u003c\/span\u003e\u003c\/p\u003e","brand":"Ezra Collective","offers":[{"title":"CD","offer_id":45919935627450,"sku":"PTSN3069-2","price":10.99,"currency_code":"GBP","in_stock":true},{"title":"Transparent Ocean Blue 2LP","offer_id":45919935660218,"sku":"PTSN3069-3","price":26.0,"currency_code":"GBP","in_stock":true},{"title":"Indies Translucent White 2LP","offer_id":45919935692986,"sku":"PTSN3069-5","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0535\/1453\/5098\/files\/Ezra-HBOH_3000x_a2d32131-e78e-4977-981a-f0fc7bab0486.jpg?v=1779886556"},{"product_id":"angus-julia-stone-karaoke-bar","title":"Angus \u0026 Julia Stone - Karaoke Bar","description":"\u003cp\u003eExpected Release 4th September 2026\u003c\/p\u003e\n\u003cp\u003eAngus \u0026amp; Julia Stone's seventh studio album, Karaoke Bar, is another evolution in the pair’s history of songwriting, recording, and producing. 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Across its 11 tracks, Keo move between moments of towering vulnerability and total collapse, pairing brooding atmospheres with melodies that feel built to be screamed back in over-spilling rooms.\u003c\/p\u003e\n\u003cp\u003e“The next big guitar band.\" - The London Standard\u003cbr\u003e“A sound that has given UK guitar its biggest kick up the fretboard in years.” Rolling Stone UK\u003cbr\u003e“Keo are already that band.\" - DORK\u003cbr\u003e“There’s something undeniably compelling about Keo’s willingness to lay everything bare.” -Kerrang!\u003cbr\u003e\"Indie-rock’s most promising new proposition” - DIY\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe Dinked Edition of ‘Put A Smile On For Me’ comes in an exclusive collector’s format featuring alternative artwork and a limited yellow marbled vinyl pressing. 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His third album, ‘Stories They Don’t Teach You At School’, serves as an alternative form of education, delivered through a visceral blend of factual soundbites and raw emotion, loops and samples, guitars and bass. The lyrics resonate with core values of compassion, resilience, and community—themes rarely explored within a classroom setting or seen in today's fragmented society. By prioritising conviction over commercial success, the Dublin artist's outspokenness may invite controversy. Yet beneath the fervour lies a profound desire for positive social change at home in Ireland, and beyond.\u003c\/p\u003e\n\u003cp\u003eMeryl Streek returned to Darkland Studios in Dublin to fine-tune the recordings previously made in a shed at the back of his ma's garden. Here he continued the genre-blurring nature of his earlier work, enticing listeners toward dissonant landscapes and hypnotic rhythms. Gentle piano tones collide with abrasive synths, creating a striking tension between beauty and noise. Streek tempers his rage when appropriate, integrating atmospheric textures and pop sensibilities into his ever-expanding sonic collage.\u003c\/p\u003e\n\u003cp\u003eAs is tradition with any Meryl Streek record, ‘Stories They Don’t Teach You At School’ unearths many uncomfortable truths. ‘Rotten Fruit’ examines media manipulation and the numbing proliferation of misinformation, all soundtracked by synth-punk. With gliding keys and a crunchy bassline, ‘Council Estates’ critiques systemic government failures affecting the working class. ‘Kelly’ is a slice of electronica that details an ongoing criminal investigation, currently classified as a “Contested Cause of Death”. The indie pop of 'The Chancer' brings much-needed attention to landlord politicians. As the album progresses, the mission remains absolute: to provide a voice for the voiceless.\u003c\/p\u003e\n\u003cp\u003eTo amplify these narratives, Meryl Streek handpicked a diverse group of collaborators for the project. ‘Rotten Fruit’ features Steve Ignorant of anarcho-punk collective CRASS. ‘Depression’ opens with a touching recording of the late Liam Norton, close friend and former touring companion, while Pete Holidai of The Radiators From Space contributes guitars on the song. Comedian Phill Jupitus provides the spoken outro for ‘The Chancer'. ‘Housing For All’ incorporates audio from Derelict Ireland campaigners Frank O’Connor and Jude Sherry. Venn Records owner and Gallows guitarist Laurent ‘Lags’ Barnard joins forces with Adebisi Shank bassist Vinny McCreith on the aggressive ‘Bullet,’ while Sophie Porter of Other Half provides bass guitar for ‘Life is Not a Rehearsal’. The album concludes with a three-minute spoken word piece by Frankie McNamara, the viral creator behind ‘Meditations for the Anxious Mind’.\u003c\/p\u003e\n\u003cp\u003eIn her 1990 protest anthem “Black Boys on Mopeds,” the late Sinead O’Connor warned, “To say what you feel is to dig your own grave”. 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Now signed to Ninja Tune, the multi-instrumentalist producer, composer and performer announces “SOME SMALL FORTUNE”, which finds Shortall at his most expansive and unpredictably exciting, working with his widest range of features to date, collaborating with the likes of Mick Jenkins, Vector, anaiis, Oscar Jerome, Jacob Alon (Brit Award winner), BINA., Terra Kin and Eriff alongside his longtime Glaswegian band, drummer Graham Costello, Mercury Prize nominated Fergus McCreadie and saxophonist Mateusz Sobieski to produce an electronic, classical, pop and indie-influenced record that extends far beyond the confines of its meticulous making.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eIt’s been an intense but rewarding few years for Shortall and his corto.alto project (the stage name a nod to his Irish-Spanish heritage, translating as “short.tall” in Spanish). The release of his debut album ‘Bad With Names’ saw him nominated for the 2024 Mercury Music Prize – alongside fellow Scot and now label-mate Barry Can’t Swim and the likes of Charli xcx, Ghetts, Beth Gibbons (Portishead), Nia Archives, CMAT and more – and saw him booked to play hundreds of shows across the world, including high-profile festival performances and a sold-out UK tour that featured his own personally curated 2000-capacity “Made In Glasgow” mini-festival at the city’s legendary Barrowlands Ballroom venue.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe music he makes as corto.alto \u003c\/span\u003e\u003cspan\u003eis\u003c\/span\u003e\u003cspan\u003e never easily categorised. It leans as much on his formal studies at the prestigious Royal Conservatoire of Scotland, as on his time spent as part of the burgeoning and fertile music scene in Glasgow; incorporating an eclectic mix of influences that draw as much on his affinity with club-culture and all its forms of Electronic Music, or to his love of classic Hip-Hop, Soul and Funk. His 2024 album ‘30\/108’ saw him freely blend genre, tempo and instrumentation across 30 tracks – one released each day of the month, drawn from a pool of 108 demos and accompanied by live performance videos – showcasing his flair for fast-thinking creativity, innovation and improvisation over a more rigid studio approach. Exploring the fertile ground between live instrumentation and electronic productions and sound design is also a cornerstone of corto.alto’s blistering live shows that – along with handling bass, synth, trombone and effects – sees him turn band-leader, amongst his crew of hyper-talented musicians; all close friends and frequent collaborators.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIt’s this fresh outlook and a hunger to subvert expectations that sets Shortall apart, winning him a new generation of music fans unbeholden to any one scene, alongside champions across radio and media like Gilles Peterson, Sian Eleri, Jamz Supernova, Deb Grant, KCRW and many more\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e“If Hiatus Kaiyote and Masters At Work had a child, corto.alto would be it - the future is now!” GILLES PETERSON\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDinked Edition 423\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cstrong\u003eYellow Pearl vinyl\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" style=\"font-weight: bold;\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cstrong\u003ecorto.alto hand designed slipmat\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" style=\"font-weight: bold;\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cstrong\u003e60 x 60cm foldout poster \/ lyric insert\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" style=\"font-weight: bold;\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cstrong\u003eScreen printed PVC outer sleeve\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" style=\"font-weight: bold;\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cstrong\u003eLimited pressing of 400\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e","brand":"corto.alto","offers":[{"title":"CD","offer_id":46043996324026,"sku":"ZENCD325","price":10.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":46043996356794,"sku":"ZEN325","price":25.0,"currency_code":"GBP","in_stock":true},{"title":"Dinked Edition LP","offer_id":46043996389562,"sku":"ZEN325D","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0535\/1453\/5098\/files\/ZENDNL325_PACKSHOT.png?v=1782209354"},{"product_id":"this-is-lorelei-the-singer-in-my-band","title":"This Is Lorelei - The Singer In My Band","description":"\u003cp\u003eExpected Release 11th September 2026\u003c\/p\u003e\n\u003cp\u003eThe last few years have been transformative for Nate Amos. Between delivering breakout records both as a solo artist — under his This Is Lorelei moniker — and with his band Water From Your Eyes, sold out shows across multiple continents, to seeing some of today’s most influential artists cover his songs, the ascending songwriter has found his stride. As the first This Is Lorelei album for Matador Records, The Singer in My Band takes the building blocks of the Great American Songbook and twists those elemental pieces into new shapes, at once both strangely familiar and endearingly offbeat in Amos’ signature style.\u003c\/p\u003e\n\u003cp\u003eWritten while touring the globe in support of releases from both his bands, The Singer in My Band arrives as the first true “road record” in Amos’ discography. “The ideas incubated while daydreaming in the car without access to any instruments,” he recalls, “so instead of being home and writing on the guitar or a computer, they developed slowly and subconsciously, existing as a sort of intangible thing while looking out the van window.”\u003c\/p\u003e\n\u003cp\u003e2024’s Box for Buddy, Box for Star was Amos’ first attempt at an intentionally written full-length solo album, tackling newfound sobriety through a roving tongue-in-cheek take on musical personas, all strained through Amos’ genre-agnostic lens. It was a critical and word-of-mouth success, spawning a deluxe version with covers and collaborations including MJ Lenderman, Hayley Williams, Jeff Tweedy, Cameron Winter and many more.\u003c\/p\u003e\n\u003cp\u003eFor many years, Amos’ This Is Lorelei project was known only to a close knit group of creatives in Chicago, where he relocated in his early 20s and produced hundreds of albums and EP’s, tracing the outlines for both of his prolific projects before relocating to New York. In the time since, he’s flourished as a wildly creative polymath who is equally adept at slinging heartworn hooks and eyeball-exploding art-pop. 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And how do you make forever count? These are the preoccupations at the heart of The Big Moon’s buoyant yet beautifully bittersweet fourth album, Forever.\u003cbr\u003e \u003cbr\u003eFour years on from last LP Here Is Everything – and a further eight since frontwoman Juliette Jackson first laid the foundations for the band – the London-formed four-piece find themselves in a very different, if similarly challenging, headspace. Where that record was conceived in the context of COVID and found Jackson processing the life-altering experience of new motherhood, Forever examines what’s left when you’ve already checked off many of the major milestones, and is tempered by a first-hand understanding of life’s fragility.\u003cbr\u003e \u003cbr\u003eThe truth is, the past couple of years have been a big readjustment for Jackson. In 2024, she was diagnosed with a cholesteatoma – a benign but destructive cyst inside the eardrum which has to be removed with surgery. Jackson explains, “I permanently lost most of the hearing on one side, which was pretty much existential, because writing songs is my job and my identity.”\u003cbr\u003e \u003cbr\u003eStoic by nature, Jackson forged forward with songwriting regardless but found herself faltering. “I couldn't hear properly, everything sounded out of tune and I was just struggling to find a point at all, just writing these miserable songs I couldn't really hear.” The answer was to shift her outlook completely, manifesting “a happy ending that didn’t exist yet.”\u003cbr\u003e \u003cbr\u003e“I just decided to write songs for this imaginary time, one or two years in the future, when I would be all healed and happy again. 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Having perfected their chemistry across two prior albums, hundreds of shows, and an ever-expanding universe of bands affiliated with London’s Gob Nation Collective (The TSG, Sniffany \u0026amp; The Nits, Spike, and Garden Centre), the London-based Celtic jangle boyband — Williams (vocals, guitar, keyboards, bass), Dan Lucas (guitar), Taylor Stewart (drums), and Max Warren (bass) — push themselves further into the shimmering heart of virtuosic indie rock. They’re joined by frequent collaborators Lan McArdle (vocals), George Nicholls (guitar), and Rachel Kenedy (keyboards), all of whom have orbited various Tubs-adjacent efforts dating back to Joanna Gruesome, but the secret to Hard Life’s lushness is the addition of fiddle player Chris Haigh, an instructor and session musician who left an indelible mark on British pop on Steps’ “5, 6, 7, 8.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eMirroring Williams’ use of trilling on vocal melodies, Haigh’s fiddle shades the vocalist’s rueful croon like a bruise. On “Stoop to Me,” the folkiest, jangliest pop song on the album, Haigh’s licks complement Williams at his most self-deprecating, the lopsided smile of a guy trying not to let on how wounded he is in unrequited love. On album opener and title track “Hard Life,” it’s the sweetness of the ascending fiddle lines in the mix that weds the harshness of Williams’ lyrics to The Tubs’ fist-pumping anthemics.\u003cbr\u003eThe hard line Williams takes here and elsewhere on Hard Life further troubles one’s idea of a Tubs song. The persona familiar to listeners of Cotton Crown and Dead Meat — to quote Williams, “navel gazing about romantic abjection, London squalor, and the indignities of grief and OCD” — is still present, but so too is a second voice, steelier and more experienced. “The second persona doesn’t have much time for the first,” Williams explains, “often haranguing him for his self-indulgence and immaturity; sometimes fairly, sometimes unfairly.”\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eOn Hard Life, these voices argue, pester one another, merge into each other, and break apart, sometimes over the course of a single song. 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It is the band’s sixth full-length record, and the first to feature the band’s Max Grunhard as producer since 2019’s Doko Mien. Following their Hot Chip-produced breakthrough Electricity (2022) and the darker, clubbier inflection of the Ross Orton-produced Pull the Rope (2024),\u003cbr\u003eChopping Mountain feels like it was pulled directly from the hearts and experiences of the Eno Williams and Grunhard-led band.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWilliams, as always, is a siren — a once-in-a-generation frontwoman whose call, both to the dancefloor and for a better tomorrow, is impossible to resist. How she does it is a mystery. Take a song like “Return to Sender,” for instance. Inspired by a car accident in which she felt the steering wheel of her vehicle literally jump out of her hands — which she likened to “a spiritual attack by unseen forces” — the track is a sinewy, cathartic rager, a full-body workout and full-throated rejection of evil in multiple tongues, English and her native Ibibio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eShe is, of course, hardly alone at the foot of Chopping Mountain. Ibibio Sound Machine — Grunhard (saxophone, keyboards), Alfred Bannerman (guitar), PK Ambrose (bass, keyboards),Joseph Amoako (drums), Afla Sackey (percussion), Scott Baylis (trumpet, keyboards), and Tony Hayden (trombone, synth) — are supernaturally tight, drawing on their roots and inspirations in highlife, disco, afrobeat, funk, post-punk, and electropop to build towering cathedrals of sound\u003cbr\u003earound her voice.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContinuing on the path they first charted on Pull the Rope, many of Chopping Mountain’s songs started out in jam sessions, locking in on a groove or an instrument or a lyric. “Give Me Peace,” featuring Dele Sosimi of Fela Kuti’s Egypt 80, found its way to bliss once the chant-sung lyrics “Give me peace, give me freedom, give me love with a kiss” tumbled out of Williams’ consciousness. The dub-inflected, breakbeat heavy soul that stirs to life beneath them — an entirely new sound for a band that has mastered blending a seemingly endless array of sounds — came naturally. “It’s about finding calm in a world that is trying to tear us down,” Williams and Grunhard explain. “Once we established that direction, the song seemed to write itself.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis is, at its core, the spirit of Chopping Mountain. Against the backdrop of a dispiriting world, Ibibio Sound Machine remain hopeful, seekers of consciousness and connection. On tracks like “Concept of Love,” they are direct and earnest, sculpting an Afro-disco song around Williams’ repeated question of “What is your concept of love?” They have their theory (“When you love someone \/ Let them love you back”) but the song passes the idea from member to member — a thrilling guitar solo from Bannerman, Baylis’ horn stings, vocoders, and precision drumfills — in a way that creates, almost paradoxically, a space in which one can meditate on the answer or move through it. Exploring the concept further on “Love,” they deliver an ethereal slice of highlife.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis heady brew of disparate styles and points of origin melds and pulls itself apart across the whole of Chopping Mountain, its songs united in that they are the sharpest tools Ibibio Sound Machine can bring to bear in the present moment. 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After releasing their debut album \u003ci\u003eWOOF.\u003c\/i\u003e in 2024 and becoming one of the UK’s most exciting breakthrough bands in the process, they have a good reason to be tired. They’ve spent the period since \u003ci\u003eWOOF.\u003c\/i\u003e’s release spreading their raucous, infectious and irresistible bark around the world. The reason that they want you to cancel them is that they’ve been around the world and they’re tired. But if Fat Dog - Joe Love, Chris Hughes, Morgan Wallace, Ellis Dickson, Michael Dunlop, Dillon Harrison and Jed Bevington - are tired with the world, the world is not tired of them. In fact, the world can’t get enough of them.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eWith follow up \u003ci\u003eCancel Me (I’m Tired)\u003c\/i\u003e, Fat Dog have created an exhilarating, swaggering, panoramic, inventive, re-inventive, re-re-inventive electro-punk-art-pop-rock’n’roll-space-country triumph that deserves all the adjectives. Over ten mind-bending and melodic tracks, it blends electro-pop anthems, cascading rave bangers, cowboy-tinged pitstops and swirling psychedelia. Into its lyrical orbit, the record pulls mentions of addiction, family ties, love, AI, ancestry, extra-terrestrials, Chris Tarrant, S\u0026amp;M, B\u0026amp;M, H\u0026amp;M and M\u0026amp;Ms. \u003ci\u003eCancel Me (I’m Tired)\u003c\/i\u003e possesses all the rabid frenzy and electrifying excitement of their debut but now delivered on a grand and glorious scale. Big, big things are ahead. 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It was intentionally recorded live with no frills and few overdubs, just pure and essential music that captures the feeling of community, clarity, as well as the joy and power of creating together. From exploring the lineages that make American music to the community-oriented spirit in which it was conceived and recorded, in many ways the album tells the story of the last 20 years of Giddens’ life.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\" align=\"center\" style=\"text-align: left;\"\u003e\u003cspan\u003e\u003cspan style=\"font-size: large;\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"font-size: large;\"\u003e\u003ci\u003e\u003cspan\u003eHope is the Thing with Feathers\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e features Giddens’ key collaborators from throughout her career. 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Steady hands have slipped from the levers of power, logic has shifted underground and the message grows more urgent with every passing day.\u003c\/p\u003e\n\u003cp\u003eRepetition has been relearned and the machine rhythms repurposed, this time with increased intensity. Arrangements have moved beyond the bare bones economy of the first record and there’s a newfound melodicism in places. Clarity and conviction ring true through the static and noise, while utopian ideas to remodel a broken system gain traction. This is a rejection of the attention economy and a call to reconnect through community and organisation. Those simple acts that were once commonplace have become increasingly radical as new fractures emerge.\u003c\/p\u003e\n\u003cp\u003e“Through repetition the message has gained weight and become something more urgent,” The Sick Man Of Europe explains. “The vehicle for this message needed to evolve, grow to gain the strength to gain the strength to carry it. 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(New copies will be made available to coincide with the album release.) The critical response to a mail-order-only CD was far greater than anyone expected. \u003cbr\u003e \u003cbr\u003eRailcard made their live debut in December 2025 and had by then recruited their fourth member: Allison Thomson (Trash Can Sinatras, The Love Band), whose flawless trumpet and swirly keyboard-playing complete the Railcard sound, allowing the band to fulfil the significant ambition and range of the songs, which are mostly co-written and often co-sung by Love and Button.  “Flannelette” and “Sunday Sun”, delicate and swoony, could almost be Slapp Happy at their most Bacharach. “Foxy”, mysterious and charming, has more than a hint of Kate Bush December magic. The raucous duet “I’m A Disaster” is The Kinks meets deadpan Shangri-Las.  The title track could have been an alternative theme tune for Whatever Happened To The Likely Lads. “Runaround” is like a school choir doing The Raincoats. “Unstable Neighbour”, mesmerising and insistent: it might make you think of Stereolab; we might imagine an indiepop Hawkwind.  Peter Momtchiloff also contributes two wonderful songs on the album: the fragile and hallucinatory “Paper Thin” and the Love-meets-Undertones rush of “Hillman Minx”.\u003cbr\u003e \u003cbr\u003eAs with the first EPs, Railcard enlisted the sonic services of Medway psych expert Allan Crockford (of The Prisoners, JTQ and many more) who has delivered mixes that pump with vintage valve energy and reverby depth.\u003c\/p\u003e\n\u003cp\u003eTwo Steps At A Time is released on Skep Wax and Slumberland September 18th, and the band have a string of UK dates through the summer and Autumn. Ian Button also performs with The Penrose Web, Heavenly, Swansea Sound and The Catenary Wires. 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Hailed upon release as a modern alternative classic, Pitchfork raised Stein's \"thoroughly unexpected, confidently strange, and immediately commanding voice\", while NME simply called it \"an extraordinary album.\" The Guardian described it as \"bruising, narcotised rock'n'roll, refracted through the bottom of a glass, darkly... on the verge of unequivocal magnificence\". MOJO celebrated \"an utterly flawless, heart-twisting vocal throughout,\" praising her ability to turn \"tales of sorrow and betrayal\" into \"something exquisite,\" and Clash observed that \"it's the voice that grabs you,\" calling it a wonderfully lucid piece of songwriting, emotion lingering on each note.\u003c\/p\u003e\n\u003cp\u003eTwenty years later, the album retains its intoxicating magic. Still, the opening seconds pull you in; still, the record won't let you go. For the first time ever on vinyl, listeners can experience one of the great alternative debuts of its era in a format worthy of its enduring legacy. \u003c\/p\u003e\n\u003cp\u003e\"OK, now I can finally listen to Setting Sun on vinyl and be reminded all over again why I love Howling Bells\" Chris Martin\u003c\/p\u003e\n\u003cp\u003e\"There was a time when we thought great records would just keep rolling in. We didn't realize we were living in a golden age until it was gone. Twenty years later, Howling Bells stands as a testament to what we've been missing\" Brandon Flowers\u003c\/p\u003e\n\u003cp\u003e“A haunting, beautiful and at times emotionally brutal debut by one of alt-rock's unsung talents” Brett Anderson\u003c\/p\u003e\n\u003cp\u003e\"Listening to Howling Bells' debut album was a cultural awakening for me back in the early 2000s. It reminded me that writing artful, sophisticated pop music was absolutely possible. Twenty years later, this record still sounds so fresh and exciting\" Anna Calvi\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDinked Archive Edition 34\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e● EcoMix marble vinyl\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e● Bonus 7” with 4 unreleased demos\u003cbr\u003e● 12” x 12” signed art print\u003cbr\u003e● Archive Edition obi-strip \u0026amp; gold foil sticker\u003cbr\u003e● Limited pressing of 500\u003c\/strong\u003e\u003c\/p\u003e","brand":"Howling Bells","offers":[{"title":"Burgundy LP","offer_id":46135372153018,"sku":"NUDE30LP","price":26.99,"currency_code":"GBP","in_stock":false},{"title":"Dinked Edition LP","offer_id":46135372185786,"sku":"NUDE30LPD","price":33.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0535\/1453\/5098\/files\/AlbumPackshot_5b999427-966e-4926-87be-3b118762f2b4.jpg?v=1783674451"},{"product_id":"charli-xcx-music-fashion-film","title":"Charli xcx - Music, Fashion, Film","description":"\u003cp\u003eExpected Release 24th July 2026\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Charli XCX","offers":[{"title":"CD","offer_id":46136068604090,"sku":"0075678584183","price":11.99,"currency_code":"GBP","in_stock":true},{"title":"Special Edition CD w\/ alt. cover","offer_id":46136068636858,"sku":"0075678582264","price":12.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":46136068669626,"sku":"0075678584206","price":28.0,"currency_code":"GBP","in_stock":true},{"title":"Indies Yorkshire Smoke LP","offer_id":46136068702394,"sku":"0075678584213","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0535\/1453\/5098\/files\/CharliXCXMFF.jpg?v=1783682235"},{"product_id":"alabama-shakes-i-must-be-dreaming","title":"Alabama Shakes - I Must Be Dreaming","description":"\u003cp\u003eExpected Release 28th August 2026\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eI Must Be Dreaming is the first new album from Alabama Shakes in more than a decade. The album expands on 2015’s album Sound \u0026amp; Color’s unfettered exploration, leaning toward a viscerally charged form of psychedelic soul.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eProduced by Alabama Shakes and their repeat collaborator Shawn Everett, the album came to life at Nashville’s Sound Emporium Studios and Blackbird Studio. While the album sustains their signature intensity, its songs often wander into more lush and otherworldly terrain, revealing a more exacting command of atmosphere and space.\u003c\/span\u003e\u003c\/p\u003e","brand":"Alabama Shakes","offers":[{"title":"CD","offer_id":46136158879930,"sku":"6100287","price":12.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":46136158912698,"sku":"6100284","price":28.0,"currency_code":"GBP","in_stock":true},{"title":"Indies Daydream Yellow LP","offer_id":46136158945466,"sku":"6100286","price":31.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0535\/1453\/5098\/files\/IMustBeDreaming.jpg?v=1783684127"},{"product_id":"mort-garson-mother-earth-s-plantasia-50th-anniversary-edition","title":"Mort Garson - Mother Earth’s Plantasia (50th Anniversary Edition)","description":"\u003cp\u003eExpected Release 4th September 2026\u003c\/p\u003e\n\u003cp\u003eBefore Brian Eno did it, Mort Garson was making discreet music. Julliard-educated and active as a session player in the post-war era, Garson wrote lounge hits, scored the 1969 moon-landing and plush arrangements for Doris Day, and garlanded weeping countrypolitan strings around Glen Campbell's By the Time I Get to Phoenix. Now, 50 years after its original release, Mother Earth' Plantasia marks a major anniversary moment. Half a century on, it continues to resonate - an enduring reminder of Mort Garson's ability to make the synthetic feel strangely alive and the whimsical feel oddly profound.\u003c\/p\u003e\n\u003cp\u003eIn the mid-1970s, a force of nature swept across the continental United States, cutting across all strata of race and class, rooting in our minds, our homes, our culture. It wasn’t The Exorcist, Goodbye Yellow Brick Road, or even bell-bottoms, but instead a book called The Secret Life of Plants.\u003c\/p\u003e\n\u003cp\u003eThe work of occultist\/former OSS agent Peter Tompkins and former CIA agent\/dowsing enthusiast Christopher Bird, the book shot up the bestseller charts and spread like kudzu across the landscape, becoming a phenomenon.\u003c\/p\u003e\n\u003cp\u003eSeemingly overnight, the indoor plant business was in full bloom and photosynthetic eukaryotes of every genus were hanging off walls, lording over bookshelves, and basking on sunny window ledges. The science behind Secret Life was specious: plants can hear our prayers, they’re lie detectors, they’re telepathic, able to predict natural disasters and receive signals from distant galaxies. But that didn’t stop millions from buying and nurturing their new plants.\u003c\/p\u003e\n\u003cp\u003ePerhaps the craziest claim of the book was that plants also dug music. And whether you purchased a snake plant, asparagus fern, peace lily, or what have you from Mother Earth on Melrose Avenue in Los Angeles (or bought a Simmons mattress from Sears), you also took home Plantasia, an album recorded especially for them. Subtitled “warm earth music for plants…and the people that love them,” it was full of bucolic, charming, stoner-friendly, decidedly unscientific tunes enacted on the new-fangled device called the Moog.\u003c\/p\u003e\n\u003cp\u003eThe album gained an enormous cult following decades after its release. Sacred Bones' 2019 reissue helped introduce Plantasia to a wider global audience, sparking a remarkable second life for Garson's unlikely masterpiece. What was once a strange artefact of 1970s plant-mania has become a beloved evergreen, rediscovered and re-embraced by a new generation of listeners and flourishing far beyond its original moment, evolving from obscure novelty into a beloved cult classic and streaming-era touchstone.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDinked International No. 5\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e● Spruce coloured vinyl\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e● 4.5\" x 7\" Plant Journal\u003cbr\u003e● 11” x 11” liner notes\u003cbr\u003e● Limited pressing of 1500 (700 UK)\u003c\/strong\u003e\u003c\/p\u003e","brand":"Mort Garson","offers":[{"title":"Eco-mix Green LP","offer_id":46157762068666,"sku":"SBR3030lp-C18","price":30.0,"currency_code":"GBP","in_stock":true},{"title":"Dinked Edition LP","offer_id":46157762101434,"sku":"SBR3030lp-C19","price":37.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0535\/1453\/5098\/files\/Albumpackshot_1.jpg?v=1784024168"},{"product_id":"leon-bridges-happiness-anytime","title":"Leon Bridges - Happiness Anytime","description":"\u003cp\u003eExpected Release 25th September 2026\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eLeon Bridges presents ‘Happiness Anytime,’ his highly-anticipated fifth studio album produced by J. Lloyd and Lydia Kitto of Jungle. The album's title serves as both a mission statement and an invitation. It's music you can put on no matter how you're feeling and be immediately transported somewhere coastal and warm. In crafting the album, Leon Bridges focused on feeling, storytelling, and his vocal performance. Lydia Kitto brought melodic intuition and harmonic detail, and J. Lloyd shaped the production, arrangements, and sonic structure. The result is an album that feels unusually cohesive, like three musicians discovering a shared vision, drawing inspiration from Fela Kuti’s Afrobeat, Brazilian music, soul, disco, and South American rhythms.\u003c\/span\u003e\u003c\/p\u003e","brand":"Leon Bridges","offers":[{"title":"CD","offer_id":46159202517178,"sku":"19958455672","price":11.99,"currency_code":"GBP","in_stock":true},{"title":"White Sand LP","offer_id":46159202549946,"sku":"19958455681","price":26.0,"currency_code":"GBP","in_stock":true},{"title":"Indies Campari Red LP","offer_id":46159202582714,"sku":"19958473791","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0535\/1453\/5098\/files\/LeonCover.jpg?v=1784046084"},{"product_id":"dry-cleaning-secret-love-deluxe-edition","title":"Dry Cleaning - Secret Love (Deluxe Edition)","description":"\u003cp\u003eExpected Release 16th October 2026\u003c\/p\u003e\n\u003cp\u003eAt the beginning of this year, Dry Cleaning released their new album, Secret Love. The third album from the London-based group consisting of lyricist Florence Shaw, guitarist Tom Dowse, drummer Nick Buxton and bassist Lewis Maynard received glowing accolades across the globe. Now, Dry Cleaning announce this expanded version, Secret Love (Deluxe Edition), featuring three brand-new tracks recorded during album sessions with producer Cate Le Bon last year; ‘Grass’, ‘I Have The Key’, and the recently released single, ‘Sliced by a Fingernail’.\u003c\/p\u003e\n\u003cp\u003eFor the deluxe edition, BULLYACHE (who choreographed visualisers for all 11 songs of Secret Love), joined forces with the band again to visuals for the three new tracks, all shot at the Mandrake Hotel in London. 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The name is no accident: its five members first bonded in the darkness of Supersonic, one of Paris's beating hearts of independent music, over a shared love of loud rock'n'roll and sonic experimentation. That friendship shaped a sound that's hybrid by nature - abrasive noise rock, unifying melodies and hard-hitting electronic energy - all filtered through a healthy dose of self-deprecation. \u003c\/p\u003e\n\u003cp\u003eTipped by NME as one of the \"100 artists to watch in 2025\" before even releasing a record, chest. confirmed the hype with their debut EP All Good Things End  (Howlin Banana, February 2025), then went on to open for DITZ, Jehnny Beth, Heavy Lungs and KNIVES, and tore through La Maroquinerie, Rock en Seine and Eurosonic Noorderslag. In autumn 2025, the band self-produced their debut album at Studio La Frette (Nick Cave, Arctic Monkeys), absorbing industrial, techno and shoegaze influences - with Otto, Cor and Entertainment as standout tracks. chest. is emerging as the spearhead of a French rock scene that's no longer afraid of anything.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eDinked Edition 427\u003cbr\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e● Green \u0026amp; red splatter on natural vinyl\u003c\/strong\u003e\u003cstrong\u003e\u003cbr\u003e● Hand-numbered \u0026amp; signed A6 postcard\u003cbr\u003e● Pack of 5 stickers\u003cbr\u003e● Limited pressing of 300\u003c\/strong\u003e\u003c\/p\u003e","brand":"chest.","offers":[{"title":"Dinked Edition LP","offer_id":46171046740154,"sku":"XAG074DNKD","price":27.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0535\/1453\/5098\/files\/Albumartwork_8_6777080e-2ca6-4498-9d03-e89a3d5c7a03.jpg?v=1784287834"},{"product_id":"echo-the-bunnymen-apples-for-isaac","title":"Echo \u0026 The Bunnymen - Apples For Isaac","description":"\u003cp\u003eExpected 18th September 2026\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eApples For Isaac is a monumental return from Echo \u0026amp; The Bunnymen, their first album of newly-written songs in over a decade. After years spent performing their immense catalogue of classics to audiences around the world, the Bunnymen have recorded an album that is as bold as it is vulnerable, that perfectly captures the essence of what makes the Bunnymen so great.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eFrom the first few moments of opener ‘Take Me By The Hand’ it’s apparent that the band have lost none of the urgency of their early work. The lead single ‘Brussels Is Haunted’ is emblematic of the band’s proud legacy, with life-affirming chorus worthy of one of post-punk’s forefathers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eAll but one of the tracks on Apples for Isaac also feature the late drummer Clem Burke, who sadly passed away during its creation:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003e“The mighty, legendary Clem Burke - longtime friend of Mac-was integral to the making of the album, and heartbreakingly passed away during its completion ... love you Clem X”\u003c\/span\u003e\u003c\/p\u003e","brand":"Echo \u0026 The Bunnymen","offers":[{"title":"CD","offer_id":46175484182714,"sku":"964180622","price":12.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":46175484215482,"sku":"964180641","price":24.0,"currency_code":"GBP","in_stock":true},{"title":"Indies Green Splatter LP","offer_id":46175484248250,"sku":"964180651","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0535\/1453\/5098\/files\/Echo_BunnymenLPGreen_Exploded18.09.26.jpg?v=1784376252"},{"product_id":"alex-cameron-late-to-set","title":"Alex Cameron - Late to Set","description":"\u003cp\u003eExpected Release 9th October 2026\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eIn January 2025 Alex Cameron exploded his life in a controlled detonation largely ignored by the universe. The charred remains of Cameron’s life fragmented and reassembled into 9 synthetic rock songs detailing his world’s deep confusion and regret.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan\u003eHe continues to find pieces of his own reflection in the shattered characters he creates and embodies. The promised Messiah. Agamemnon’s appetite for war. Mel Gibson’s ransom note. Humanity’s Pro-War destiny. A cold war breakup. These are songs of protest against life itself. This is the world our fathers feared and here is its soundtrack.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Alex Cameron","offers":[{"title":"LP","offer_id":46175536644282,"sku":"ACLTS001","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0535\/1453\/5098\/files\/3760434487699.jpg?v=1784376653"}],"url":"https:\/\/www.sound-knowledge.co.uk\/collections\/forthcoming-releases.oembed?page=6","provider":"Sound Knowledge","version":"1.0","type":"link"}