{"title":"All","description":"","products":[{"product_id":"field-music-flat-white-moon","title":"Field Music - Flat White Moon","description":"\u003cp\u003eReleased 23rd April.\u003c\/p\u003e\n\u003cp\u003e\"We want to make people feel good about things that we feel terrible about.\" says David Brewis, who has co-led the band Field Music with his brother Peter since 2004. It's a statement which seems particularly fitting to their latest album, Flat White Moon released on 23 April via Memphis Industries.\u003c\/p\u003e\n\u003cp\u003eSporadic sessions for the album began in late 2019 at the pair's studio in Sunderland, slotted between rehearsals and touring. The initial recordings pushed a looser performance aspect to the fore, inspired by some of their very first musical loves; Free, Fleetwood Mac, Led Zeppelin and The Beatles; old tapes and LPs pilfered from their parents' shelves. But a balance between performance and construction has always been an essential part of Field Music.\u003c\/p\u003e\n\u003cp\u003eBy March 2020, recording had already begun for most of the album's tracks and, with touring for Making A New World winding down, Peter and David were ready to plough on and finish the record.\u003c\/p\u003e\n\u003cp\u003eThe playfulness that’s evident in much of Flat White Moon's music became a way to offset the darkness and the sadness of many of the lyrics. Much of the album is plainly about loss and grief, and also about the guilt and isolation which comes with that.\u003c\/p\u003e\n\u003cp\u003eThose personal upheavals are apparent on songs like Out of the Frame, where the loss of a loved one is felt more deeply because they can't be found in photographs and compounded by the suspicion that you caused their absence, or on When You Last Heard From a Linda, which details the confusion of being unable to penetrate a best friend's loneliness in the darkest of circumstances.\u003c\/p\u003e\n\u003cp\u003eSome songs are more impressionistic. Orion From The Streets combines Studio Ghibli, a documentary about Cary Grant and an excess of wine to become a hallucinogenic treatise on memory and guilt.. Others, such as Not When You're In Love, are more descriptive. Here, the narrator guides us through slideprojected scenes, questioning the ideas and semantics of 'love' as well the reliability of his own memory. For the most part, the album has fewer explicitly political themes than previous records, though there is No Pressure, about a political class who feel no obligation to take responsibility if they can finagle a narrative instead. And there's I'm The One Who Wants To Be With You which skirts its way around toxic masculinity through teenage renditions of soft-rock balladry.\u003c\/p\u003e\n\u003cp\u003eOn Flat White Moon Field Music take on the challenge of representing negative emotions in a way that doesn't dilute or obscure them but which can still uplift. The result is a generous record of bounteous musical ideas, in many ways Field Music's most immediately gratifying to date\u003c\/p\u003e","brand":"Field Music","offers":[{"title":"CD","offer_id":38137218433210,"sku":"MI0657CD","price":9.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":39533903806650,"sku":"MI0657LP","price":16.99,"currency_code":"GBP","in_stock":false},{"title":"Indies Transparent LP","offer_id":38137218465978,"sku":"MI0657LPX","price":18.99,"currency_code":"GBP","in_stock":true},{"title":"Dinked Edition LP - SOLD OUT","offer_id":38137218498746,"sku":"MI0657LPX2","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0535\/1453\/5098\/products\/field-500x500.jpg?v=1614090126"},{"product_id":"johanna-samuels-excelsior","title":"Johanna Samuels - Excelsior!","description":"\u003cp\u003eReleased 25th June 2021.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinyl expected 6th August 2021.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a special knack for balancing bright pop melodies with a drifting sense of melancholy, LA based Johanna Samuels new album Excelsior! is a tender, honest document of the importance of companionship above all else. Named after Dylan’s “Visions of Johanna”, Samuels grew up on the classic songwriters of yesteryear (George Harrison, Tom Petty, Neil Young) and after a healthy dose of Elliott Smith and Jon Brion, has spent the best part of the last decade honing her craft.\u003c\/p\u003e\n\u003cp\u003eExcelsior! was recorded in a small cabin in West Shokan in NY State, in the middle of the winter with her band and producer Sam Evian but its songs are full of West Coast sunshine. It's Evian's first full album production at his own Flying Cloud Studios.\u003c\/p\u003e\n\u003cp\u003eRecorded mostly to tape, the album is as a gorgeous combination of vintage instrumentation, strong melodic hooks, killer harmonies and Samuels’ elegant voice. Samuels seeks those answers through companionship, exploring the depths of her relationships and then calling upon a handful of womxn to provide the album’s backing vocals - a task she’d always performed herself until now. As such, Excelsior! makes a space for the voices of Courtney Marie Andrews, Hannah Cohen, Lomelda’s Hannah Read, A.O. Gerber, Louise Florence and Olivia Kaplan. The album takes its name from the signature that Samuels’ grandpa would use before he sadly passed away last December. “He was a very important person to me and he helped raise me,” Johanna explains. “He signed all of his letters and emails ‘Excelsior!’, including the exclamation point. It means ‘ever upward’ and that’s what I wish for everyone: to grow from listening with more empathy and from hearing each other out. I hope this record makes people want to be gentler with each other and themselves.”\u003c\/p\u003e","brand":"Johanna Samuels","offers":[{"title":"CD","offer_id":38137247924410,"sku":"BR011CD","price":10.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":38137247957178,"sku":"BR011LP","price":21.99,"currency_code":"GBP","in_stock":false},{"title":"Dinked Edition LP","offer_id":38137247989946,"sku":"BR011LPD","price":18.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0535\/1453\/5098\/products\/JSartwork-UK.jpg?v=1614165348"},{"product_id":"francis-lung-miracle","title":"Francis Lung - Miracle","description":"\u003cp\u003eReleased 18th June 2021.\u003c\/p\u003e\n\u003cp\u003eMiracle is the new album from Manchester singer songwriter Francis Lung, set for release on Memphis Industries on 18 June 2021.\u003cbr\u003e\u003cbr\u003e“For me, [Miracle] is about the struggle between my self-destructive side and my problem-solving, constructive side,” says Francis. “I suppose through a lot of these songs I’m dealing with these emotional problems, acknowledging the negative aspects of my behaviour instead of burying them, and providing an alternative point of view for myself”. Despite its serious subject matter, Miracle is far from austere in sound, marrying the cinematic, dreamlike quality of Francis’s earlier music with the\u003cbr\u003epared-back charm of great singer-songwriters like Judee Sill, Jeff Tweedy and Elliott Smith.\u003c\/p\u003e\n\u003cp\u003eThe album opens with ‘Bad Hair Day’, a relentlessly catchy—and deceptively upbeat—ode to hangovers and missed connections. “I’ve been calling on you all night \/But I never get through, I just get in the way” Francis laments; “I am a cloud in the sun’s\u003cbr\u003elight\/Whatever I do, whatever I say.” Elsewhere, the title track finds him pondering the fickle nature of the music industry: “I think of [Miracle] as acknowledging and even encouraging the feelings we’re not supposed to succumb to - giving up, giving in - just because it can be comforting to hear it from someone else. ‘Why am I climbing these social ladders and jumping through the hoops of this creative industry? Does this make me happy?’” \u003c\/p\u003e\n\u003cp\u003eThese themes of longing, and lacking, missing and being missed, reoccur throughout Miracle. “When I die\/Will I be missed\/Or am I missing the point?” asks ‘Say So’; while ‘Lonesome No More’, inspired by the Kurt Vonnegut book of the same name, begs the\u003cbr\u003equestion: if loneliness was eradicated, would we miss it? By confronting these feelings, Francis is able to move forward, as triumphant album closer ‘The Let Down’ proves. Its lyrics serve as a call to action, as Francis wills himself (and the listener) to ‘Get up\/Get something going\/Do something, do it\/Do it now’ \u003c\/p\u003e\n\u003cp\u003eMiracle was produced by Francis in collaboration with Brendan Williams (Dutch Uncles, Matthew Halsall, Kiran Leonard) and Robin Koob (who co-arranged and performed strings). The opportunity to take creative control was one Francis relished. “I’m quite bad at delegating” he admits, noting that he played every instrument except strings on Miracle. The result is a cohesive, deeply personal record, which is as vital as it is vulnerable. “I don’t want to be defined by my anxiety, my depression or any history of substance abuse,” Francis says, “but I do want to reach out to other people who have had similar experiences, especially if it’s in a way that helps them feel a little better. 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Originally scheduled for issue in mid 2020, this record’s temporal trajectory was thwarted by the coming of the Plague. But it would take more than a mere Plague to tamp down the exquisite fury of this trio when they are fully dialed-in. And Sweep It Into Space is a masterpiece of zoned dialing. Recorded, as usual, at Amherst’s Biquiteen, the sessions for Sweep It Into Space began in the late Autumn of 2019, following a West Coast\/ South East tour. The only extra musician used this time with Kurt Vile. Indeed, Sweep It Into Space is a very cool album. As is typical, Lou Barlow writes and sings two of the album’s dozen tunes and Murph’s pure-Flinstonian drumming drives the record like a go cart from Hell. Lou’s songs here are as elegant as always. But there are very few moments where you wouldn’t know you were hearing Dinosaur Jr. in blindfolded needle drop. They have a signature sound as sure as the Stooges or Sonic Youth or Discharge ever did. They continue to expand their personal universe with Sweep It Into Space, without ever losing their central core.\u003c\/p\u003e","brand":"Dinosaur Jr.","offers":[{"title":"CD","offer_id":39247887040698,"sku":"JAG366CD","price":9.99,"currency_code":"GBP","in_stock":true},{"title":"Standard LP","offer_id":39247887139002,"sku":"JAG366LP","price":18.99,"currency_code":"GBP","in_stock":false},{"title":"Opaque Purple Blast LP","offer_id":39247887073466,"sku":"JAG366LP-C3","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"Translucent Purple Ripple LP","offer_id":39247887106234,"sku":"JAG366LP-C1","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0535\/1453\/5098\/products\/jag366.dino.sweepit.fc.3000.jpg?v=1614166098"},{"product_id":"the-offspring-let-the-bad-times-roll","title":"The Offspring - Let the Bad Times Roll","description":"\u003cp\u003eReleased 16th April 2021.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eThe Offspring is a punk rock band from Garden Grove, California, formed in 1984. The band's current lineup consists of lead vocalist Dexter Holland, guitarist Noodles, drummer Pete Parada and bassist Todd Morse. Over the course of their 36-year career, they have released nine studio albums.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eThe Offspring is often credited—alongside fellow California punk bands Green Day, Rancid, Bad Religion, NOFX, Pennywise and Jawbreaker—for reviving mainstream interest in punk rock in the 1990s. They have sold over 40 million records worldwide, making them one of the best-selling punk rock bands in history. The Offspring achieved its first commercial success with their third studio album, Smash (1994), which has sold over eleven million copies worldwide, setting a record for most albums sold on an independent record label, and was the first album released on Epitaph to obtain gold and platinum status. After switching record labels from Epitaph to Columbia in 1996, the Offspring continued their commercial success with its next six studio albums: Ixnay on the Hombre (1997), Americana (1998), Conspiracy of One (2000), Splinter (2003), Rise and Fall, Rage and Grace (2008) and Days Go By (2012); the first four were certified platinum, multi-platinum, platinum and gold status by the RIAA respectively.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eThe legendary So-Cal punk group The Offspring are back with their 10th album and first new offering since 2008. After releasing two standalone tracks in 2020 - the over-the-top cover of Joe Exotic's (of Tiger King infamy) \"Hey Kitty Kitty\" and a rendition of Darlene Love's classic \"Christmas (Baby Please Come Home)\" - the band is ready to plant their punk rock flag in the sand once again with their blistering new album Let the Bad Times Roll.\u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eWith the help of producer Bob Rock, Dexter Holland describes the album as \"the most cathartic thing we've done. The messages might be dark, but at the end what's left is that communication is important, working through feelings is important and most of all, hope is important.\" \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003eThen let the bad times roll for now, in the hopes that good times lie ahead.\u003c\/p\u003e","brand":"The Offspring","offers":[{"title":"CD","offer_id":39247941009594,"sku":"7223021","price":11.99,"currency_code":"GBP","in_stock":true},{"title":"Standard LP","offer_id":39247941042362,"sku":"7223020","price":21.99,"currency_code":"GBP","in_stock":false},{"title":"Indies Orange Crush LP","offer_id":39247941075130,"sku":"7223016","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0535\/1453\/5098\/products\/Offspring-LTBTRCover.jpg?v=1614166956"},{"product_id":"black-honey-written-directed","title":"Black Honey - Written \u0026 Directed","description":"\u003cp\u003eReleased 19th March 2021.\u003c\/p\u003e\n\u003cp\u003e‘Written \u0026amp; Directed’ is Black Honey’s second album. It follows their outstanding self-titled debut released back in 2018 when the world that surrounded the Brighton fourpiece looked and felt like a very different place. Black Honey however are still the bad-ass, truly original band they have always been, they’ve just graduated from the intriguingly anomalous newcomers to becoming one of UK indie’s most singular outfits. They've travelled the world and released a Top 40 album; graced the cover of the NME and become the faces and soundtrack of Roberto Cavalli's Milan Fashion Week show; smashed Glastonbury and supported Queens of the Stone Age, all without compromising a shred of the wild, wicked vision they first set out with.\u003cbr\u003e\u003cbr\u003eIt's now time for the next instalment of their story – ‘Written \u0026amp; Directed” – which see’s Black Honey deliver one, very singular, message – a 10 track mission statement that aims to unashamedly plant a flag in the ground for strong, world-conquering women. For fierce frontwoman and album protagonist Izzy B. Phillips – it’s the most important message she could send to inspire her cult-like fanbase and fill the female-shaped gap that she felt so acutely when she was growing up and discovering rock music for the first time. \u003cbr\u003e\u003cbr\u003eWritten throughout 2019 and recorded in fits and spurts between touring, ‘Written \u0026amp; Directed’ is drenched with a hedonistic, anything-goes attitude. It’s also the most full-throttle collection of music that Black Honey have ever-written – egged-on by their run of shows supporting long-term friends and collaborators Royal Blood. Exploring everything from womanhood, to identity and power, it’s an album that revels in the rich history of pop culture, throws a wink to its rock-and-roll heroes, but ultimately (and in true Black Honey fashion) it stands on its own two feet. \u003cbr\u003e\u003cbr\u003eWith a typically hyper-visual world referencing grindhouse cinema, kitschy pulp films and a flip-reverse of female cinematic representation all primed to unfurl and explode around them, 'Written \u0026amp; Directed' is the sound of Black Honey strapping in and saddling up, of harnessing their quirks, and, as the Phillips has always hoped, riding them joyously into the sunset.\u003cbr\u003e\u003c\/p\u003e","brand":"Black Honey","offers":[{"title":"CD","offer_id":39248316334266,"sku":"WAD0009","price":11.99,"currency_code":"GBP","in_stock":false},{"title":"Gold LP","offer_id":39248316367034,"sku":"WAD0007","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"Dinked LP - SOLD OUT","offer_id":39248316399802,"sku":"WAD0010","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0535\/1453\/5098\/products\/bla-500x500.jpg?v=1631962273"},{"product_id":"the-white-stripes-greatest-hits","title":"The White Stripes - Greatest Hits","description":"\u003cp\u003eReleased 26th February 2021.\u003c\/p\u003e\n\u003cp\u003eIn 1997 a brother and sister climbed into the third floor attic of their Southwest Detroit family homestead and bashed out a primitive cover of David Bowie’s “Moonage Daydream.” In an alternate reality, it’s all they ever do musically. The brother leads a spartan life as a dutiful upholsterer and the sister finishes culinary school and continues to make heartwarming food. \u003c\/p\u003e\n\u003cp\u003eBut that doesn’t happen. Something sparks in both of them. They take their simple guitar-drums-voice approach to a local open mic night on Bastille Day. The performance was just good enough to keep them going. In what feels like a whirlwind, they record and release two 7-inch singles for a local indie label. A not-so-local indie offers to put out a full length album.\u003c\/p\u003e\n\u003cp\u003eThey start touring. Another album. More touring. Another album. Folks REALLY start to pay attention. CRAZY touring. More albums, accolades, wildest dream after wildest dream coming true. “World-renowned” becomes an appropriate descriptor as does “long-building overnight sensation.”\u003c\/p\u003e\n\u003cp\u003eIt is with extreme reverence that we present to you The White Stripes Greatest Hits. The first-ever official anthology of recordings from the iconic rock duo, Jack and Meg White, is an essential career-spanning collection highlighting 26 previously released songs. From late Nineties flashes of brilliance through early 2000s underground anthems, masterful MTV Moon Man moments, Grammy-grabbing greatness, and worldwide stadium chants, the songs here are as wide-ranging as you can imagine. In an era of streaming where the idea of a “Greatest Hits” album may seem irrelevant – that an act’s most streamed songs are considered their de facto “hits” – we wholeheartedly believe that great bands deserve “Greatest Hits” and that a large part of Third Man Records’ and The White Stripes’ successes have been built on zigging when the rest of the music business is zagging. Thus, for a great band with great fans, a greatest hits compilation for The White Stripes is not only appropriate, but absolutely necessary.\u003c\/p\u003e","brand":"The White Stripes","offers":[{"title":"CD","offer_id":39249169154234,"sku":"19439822392","price":11.99,"currency_code":"GBP","in_stock":true},{"title":"2LP","offer_id":39249169187002,"sku":"81354702963","price":26.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0535\/1453\/5098\/products\/tws-500x500.jpg?v=1614189345"},{"product_id":"maximo-park-nature-always-wins","title":"Maxïmo Park - Nature Always Wins","description":"\u003cp\u003eReleased 26th February 2021.\u003c\/p\u003e\n\u003cp\u003eAn album of our times, Newcastle band Maximo Park return with their seventh record Nature Always Wins.\u003c\/p\u003e\n\u003cp\u003eThe album arrives as something of an examination, zeroing in on the notion of the self, identity as a band, and that of humanity as a whole. The album’s title nods to the famous Nature vs Nurture debate. Discussing whether change is capable under the influence of time, perspective, environment or if we are destined to be bound by our own genetics, it asks, “who are we, and who do we want to be, and do we have any control over it?”. \u003c\/p\u003e\n\u003cp\u003e“I'm so happy we were able to make this album during lockdown, as it's been a challenging time for everyone. After almost 4 years since Risk To Exist, we wanted to explore new musical territory (for us) without sacrificing our trademark melodic twists and heartfelt lyrics. As always, the passing of time looms large, although the songs contain more affection for the past than before, and there are occasional hints of the fractious, divided time that we live in” – frontman Paul Smith \u003c\/p\u003e\n\u003cp\u003eProduced by Atlanta-based Grammy-winning producer Ben Allen (Animal Collective, Deerhunter), who afforded the band freedom to play and create. 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They describe “Isles” as “a snapshot in time” of their work in this period, with the tracks designed to evolve in their different iterations from record to live show and beyond. “This is definitely the home listening version,” says Matt, “the live version will be much, much harder”. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 6.0pt; text-align: justify; text-justify: inter-ideograph;\"\u003e\u003cspan style=\"font-size: 12.0pt; color: black;\"\u003eOn the title, “We have strong mixed emotions, connected to growing up on an island” they say, “wanting to leave, wanting to return”. For two natives of Belfast, any talk of islands, communities and identities will also have other, more domestic connotations, and has always been an aspect of their lives they’d been reluctant to talk about. “It’s always been an unquantifiable topic for us” says Matt. “We’re not religious, but we're both from different religious backgrounds. 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Musically, too, they find echoes of those days in their work. “It was like being smacked in the head with a hammer” Matt says, of the tunes that defined that scene, and which find expression in “Isles’” most raw and energetic corners. “It was either very intense, in-your-face Italo tinged electro or really aggressive techno”.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 6.0pt; text-align: justify; text-justify: inter-ideograph;\"\u003e\u003cspan style=\"font-size: 12.0pt; color: black;\"\u003eFrom those early days living and clubbing in Belfast, to their move to London over a decade ago, the breadth of music they’ve been exposed to during this time informs “Isles’” massive sonic palette. Both cite the joy of discovering Hindi vocals overheard from distant rooftops, snatches of Bulgarian choirs drifting from passing cars, hitting Shazam in a kebab house in the vain hopes of identifying a Turkish pop song. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 6.0pt; text-align: justify; text-justify: inter-ideograph;\"\u003e\u003cspan style=\"font-size: 12.0pt; color: black;\"\u003eLead single ‘Apricots’ encapsulates these disparate influences perfectly. 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The accompanying video—also released today—is directed by Mark Jenkin, who recently took home a 2020 BAFTA for Outstanding Debut by a British Director for his 2019 film ‘Bait’.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 6.0pt; text-align: justify; text-justify: inter-ideograph;\"\u003e\u003cspan style=\"font-size: 12.0pt; color: black;\"\u003e‘Atlas’, the first track drawn from the record, was released to massive acclaim in March, making both the Radio 1 and Radio 6 playlists, its euphoric energy and bittersweet heft hit all the harder in uncertain times. It is, as Resident Advisor called it, “music that commiserates with you while you try to dance out your anxieties”. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 6.0pt; text-align: justify; text-justify: inter-ideograph;\"\u003e\u003cspan style=\"font-size: 12.0pt; color: black;\"\u003eBicep’s globe-trotting sound was forged as their own rapid ascent through the musical ranks began. After starting their legendary FeelMyBicep blog in 2008, its humble trove of Italo, house and disco deep cuts grew into a runaway success, regularly chalking up over 100,000 visitors a month. Once the blog had spawned a record label and club night, the duo were propelled on to the international stage via sought-after DJ sets that reflected the eclecticism of their online curations. Following success with productions for Throne of Blood and Aus Music, Bicep were signed to Ninja Tune in 2017, where they released their wildly acclaimed self-titled debut album the following year, attaining a Top 20 entry in the UK charts, and a cover feature in Mixmag to add to the magazine’s gong for “Album of the Year”. Tracks like  ‘Opal’—and the subsequent Four Tet remix—as well as he record’s lead single ‘Glue’, with and its iconic Joe Wilson-directed video, became touchpoints for electronic music in 2017, with the latter named DJ Mag “Track of the Year”. The ‘Glue’ video, alongside Bicep’s RA Live performance were also recently included in the lauded ‘Electronic’ exhibition, first shown at the Philharmonie de Paris last year and currently at London’s Design Museum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 6.0pt; text-align: justify; text-justify: inter-ideograph;\"\u003e\u003cspan style=\"font-size: 12.0pt; color: black;\"\u003eThe album was followed by a massively successful tour, which saw them raise the roof at Primavera, Coachella and Glastonbury before a triumphant three-night sold-out run of shows at Printworks in London. The pair sold out their two forthcoming Brixton Academy shows in a matter of minutes, and amassed a 10,000 person waiting list once tickets were all gone. Additional headline dates across the UK, EU and US are hoped for in 2021, including a headline slot at Field Day in London, as well as performances at Parklife, Roskilde, Creamfields, Primavera, MELT! 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Born Anaïs Oluwatoyin Estelle Marinho, the 20-year-old from West London - who burst onto the scene with 2018’s “Cola” - uses poetry as her songwriting compass, weaving vivid imagery and sensory touches throughout the stirring, honest stories that make up her already-rich body of work. “I was really interested in the idea of delving into a hyper-specific moment and making it feel universal, making it something that people could connect to,” Arlo says about drawing from poetry in her approach.\u003c\/p\u003e\n\u003cp\u003eA sensitive child, Arlo grew up in a peaceful part of town. “There wasn’t that much to do, and I was a pretty happy kid, I was very much in my own little world,” she explains, describing spending her free time exploring creative ways to express her emotions. “Because I was feeling a lot, I started writing quite young,” she says, referencing poets Gary Snyder, Mary Oliver and Pat Parker, and more who inspired her to write. “It’s that cinematic quality that can make you feel like you’re plunged into someone’s subjectivity,” she adds about poetry’s impact. 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Doyle’s debut album, Total Strife Forever, followed in 2014, as did a nomination for the Mercury Music Prize. A year later, he was signed to XL, touring the world and about to release his second album – all by the age of 25.\u003cbr\u003e  \u003cbr\u003e After self-releasing four ambient and instrumental albums, Doyle’s third full-length record – and the first under his own name – Your Wilderness Revisited arrived to ecstatic reviews in 2019: Line of Best Fit described it as “a dazzlingly beautiful triumph of intention” and Metro declared it an album not only of the year, but “of the century”. Just over a year later, as he turns 30, Doyle is back with Great Spans of Muddy Time.\u003cbr\u003e  \u003cbr\u003e Born from accident but driven forward by instinct, Great Spans was built from the remnants of a catastrophic hard-drive failure. 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The band, featuring Adam Brisbin (guitar), Mat Davidson (bass, pedal steel, fiddle), Austin Vaughn (drums), and Buck’s brother Dylan Meek (piano, organ), set up in a Victorian house one block from the Mississippi River and worked within these limitations, encouraging every recording to be imbued with the living, intuitive, and human energy of a first take. \u003cbr\u003e \u003cbr\u003e The rituals that led towards these songs are ones of pain and healing; the power felt through the songs lies in the fact that the pain is never plainly stated, never a note of anguish or resentment, no complaints about the feeling of pain. 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